Art Appreciation

Wk 3: Meeting the Artists!

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Amanda Martinez & Maritess Inieto in CSULB Classroom FA4-311 and smiling

Art110-2016-Fall-banner

Schedule

You are responsible for the information on this page

As you know, this is a Hybrid course. We use our small amount of F2F time each week to focus on Activities. Now in Week 3 we’ll be spending this Wednesday and most Wednesdays at the SOA Galleries. The main official communication with you is online. Be sure to read materials like this post, and follow requests like the ones below for Post Naming, Classmate Links, and so on.

Artist Conversations

This week we begin our Artist Conversations and as I’ve tried to make clear, I’m asking you to really up your writing game. All the details are in the syllabus:

As you know, we’re at the SOA Galleries this week. And most weeks from now on. Class is at the regular time, but we’ll meet in the gallery courtyard between FA2 & FA3. Bring your 4×6 ID Cards (yes, you can do them there)

Points on BeachBored

All points through Week 2 are now up on BeachBored. Be sure to check your points and know where you stand!

Post Naming!

Please use this format:

Wk2 – Art Experience – Plaster Casting
Wk2 – Artist Conversation – Brianna Allen
Wk2 – Classmate Conversation – Geri Weckstein

Classmate Conversations

  • Be sure to state your classmates First and last Names.
  • Be sure to include a (live!) link to their website.
  • We don’t have a Classmate Question OTW yet, why don’t you write one: glenn.zucman.com/i2va/fall16-qotw/
screen cap of Kelly Schwartz' sailing website
Kelly Schwartz, Summer ’16

Organize your website

Now that you’re gaining a little bit of familiarity with WordPress, you might go back and clean up your website. You might like to choose a different theme, or just organize your current theme. A lot of you have “Site Title” as your site title. It should be something else! 😀 Like:

  • Glenn Zucman Art110
  • Art Adventures
  • Glenn’s World
  • Sailor Kelly

Or just about anything other than “Site Title”! 😛

Theme Content

Many of you chose “Portfolio” themes that came with samples of your work on the home page. In the short, Art110 context these layouts might not be that helpful. But in the longer career context, these might be great. Whether you’re in Fashion Merchandising, Nursing, Aerospace Engineering, Business Marketing, or any other field, you can use areas on your website like these to feature some of your work. Just like writing your 1st resume, don’t worry too much about starting out with the awesomest content, just put up what you’ve done. Over time you can replace that with new and stronger work.

Also many of your themes came with “Demo Content” things like “Sample Post” that let you see how the theme will look even before you’ve posted much or any content. Now that you’ve got some content, you could go back and delete those demo posts.

Featured Images

When you’re making a post you can add images. I think you’ve all got this! 😀 You can also specify one image as your “Featured Image.” This image is the one that many themes will use on your home page. You’ll see on some of your websites that the demo posts show images on the home page and your new posts don’t. If you spedify a Featured Image that will fix this.

Points so Far

Weeks #1 & #2 are up on BeachBored now. So far we’ve had 102 points possible. Here’s how many points you should have to be on track for each grade level, and how many peeps in 1p / 2:30 are currently at each grade level:

A = 92 points – 52 / 46
B = 82 points – 9 / 6
C = 71 points – 0 / 4
D = 61 points – 1 / 0
F = 60 points – 3 / 6

As you can see we have a lot of peeps on A pace so far. Awesomesauce! If you’re one of the few who isn’t, now is the time to get rolling! Blowing a couple of weeks and then doing great work from here should work out pretty well by the end. Blowing another couple of weeks will put you in a deep points hole that’s hard to dig out of. I encourage those of you with low or no points to either decide to get started today, or to drop already if that’s what you need. Don’t just flounder collecting few or no points each week.

If anyone has any questions or needs any help, please ask me. Sooner is better! My virtual OH is Monday 9-10am at glenn.zucman.com/i2va/chat. You can also ask questions there 24/7. You can also email me: glenn.zucman@csulb.edu. And my RL OH is Wednesday 11:30-12:30 at the Umbrella Tables outside Robek’s / Coffee Bean & Tea Leaf at the USU. I can also meet with you at other times by appointment.

Leaderboard

Top 5 @1pm:

Amanda Martinez & Maritess Inieto in CSULB Classroom FA4-311 and smiling
Amanda Martinez & Maritess Inieto, 1p
  1. Maritess Anne Inieto, 153
  2. Stephanie Arciva, 145
  3. Melissa Rios, 143
  4. Carlos Villicana, 131
  5. Selena Lara, Joy Elizabeth Uba, Brian Sath, 127

Top 5 @2:30:

sitting in a black leather chair
Lydia Chang
  1. Lydia Chang, 160
  2. Jamie Van, 149
  3. Adriana Maciel, 139
  4. Samantha Gomez, 132
  5. Jessica Obrique, 131

Discussion Posts

Most of you are doing great with post naming. A few of you still need to be sure to start your comment with your name, as “Amanda Martinez” does in this example:

screen capture of a blog comment

  • Please be sure to include your name, clearly spelled!
  • Please be sure you post on the right page: 1p peeps on the 1p page / 2:30 on 2:30! 😀

Joseph DeLappe Discussion

I thought… Jospeh Delappe’s ‘dead-in-iraq’ was super interesting.

I’ve played plenty of war games and always just thought of them as games, not really reflecting about the reality of war. I remember sitting on the couch playing Call of Duty years ago and my mom would always say, “You don’t respawn in real life”, and I’d be like “Shut up mom you’re annoying” or something like that.

But I guess as you get older maybe you start to see war how it really is. Hell.

— Daniel Schmitz

Gesture Sketches

Looks like those of you who made it to the game had fun both at the game itself and also trying gesture sketching. Great job everyone! 🙂 It seems like many of you only drew a small handful of sketches. That’s great. But if any of you do want to draw better, I’d really encourage you to take an opportunity like that game to draw literally hundreds of 5 or 10 second sketches. Try to see how the body is articulated and make quick, sketches of volume in space, and spatial orientation. The more you do the faster you’ll get better. Not everyone “needs” to be able to draw, but if you’re interested, that’s how to make progress.

Brian Sath & Maritess Inieto smile at the camera as a Long Beach State vs Washington State women's volleyball match goes on behind them inside The Pyramid at Long Beach State University
Brian Sath & Maritess Inieto
a page of quick gesture sketches
Brian Sath
a page of quick gesture sketches
Maritess Anne Inieto
a page of quick gesture sketches
Jamie Van

Landscapes with a Corpse

Alex Miramontes' 3-year-old niece pretending to shoot him in the park with a water gun

I decided to base this art project on a recurring dream that I had when I was in middle school, till this day I occasionally have the same exact dream. My dream is similar to the book The Giver by Lois Lowry and the short story Harrison Bergeron by Kurt Vonnegut. My dream takes place in the far future in a dystopian society and our government has implemented many laws and devices to control the population. The government’s intentions were to create policies that would allow everyone to be equal, but total equality resulted in censorship and restraint. Basically, in my dream my job was to deliver historical books to government officials, but books were prohibited to the general public because the government was afraid of people gaining knowledge. However, I would often break the law and make photocopies of the books and distribute them to the general public. The government discovered that I’ve been breaking the law and they hired ninja assassins to kill me to prevent me from starting a revolution. What was weird about the ninjas was that they were genetically manipulated so they would be small, their size would allow them to be more mobile and less visible. These ninjas killed me when I least expected it, and they framed me to make it seem like I had committed suicide.

Alex Miramontes

photo of a stop sign at night
Briana Garcia

So, crazy story, this actually happened:

One morning around 7:15am I was walking to school (which is across the street from my house) and I was hit by a car at this exact intersection. How strange right? Within the 5 minutes that it took for me to get from my house to the school, I was hit by a car. What are the chances?

That morning I woke up and thought it was going to be just like any other. And then suddenly I was hit by the unexpected, literally. We go about our days and never consider that it could be our last. But who does? No one wants to think about that. Unfortunately for me, I do. That day left an emotional scar but it also made me realize that everything can be taken from you within seconds. I have learned to enjoy every day that i am given, appreciate the people around me, not to waste time being angry and to live my life in a way that makes me happy. I almost lost my life and it was scary, but it was life changing.

This activity wasn’t dark in my opinion. I think it was actually a great opportunity for people to realize what I did without actually having to go through it. My pictures are a little more dramatic than how it actually happened but I thought I’d have some fun with it. I was worried it would give me anxiety trying to relive that event but I’m stronger now and I’ve accepted it.

Briana Garcia

Briana Garcia lying in the street, near a stop sign, at night, as though she'd been hit by a car
Briana Garcia
young person on the floor surrounded by makeup as if all the makeup had "done her in"
Maritess Anne Inieto

Beauty is pain, sometimes enough to kill you.

Maritess Anne Inieto

Selenara imagining a death by gunshot - image with blood on forehead and leaning up against a low wall
Selena Lara

I grew up in Compton, which many like to refer to as “The Hood.” There’s a statistic that says that, given the neighborhood I was born in, by the age of 16 I would be involved in a gang. It also says that by the age of 18 I would either be incarcerated or dead due to gang violence. A lot of the kids I grew up with always talked about how their biggest fear was to not make it past 18. To end up shot up dead in a corner. I wanted to project just that.

The image of me dead, shot up in a corner, is a representation of what I could’ve been but wasn’t. Watching me create this image was difficult for my parents. They told me I was crazy for even thinking of death or anything related. It was also kind of hard on me because it’s the way many of my childhood friends ended up.

Selena Lara

a woman floating, unconscious (simulated) in a pool and holding flowers
Adriana Maciel

My boyfriend of two years broke up with me about a month ago and it hurt me tremendously. He was my first true love and I couldn’t imagine my life without him because I thought he was the one. We had lived together and we had been through so much in those years we shared. The week after he broke up with me I felt like I was literally drowning with emotions and everything reminded me of him or memories we shared, etc. I had never felt a heartbreak like this and I didn’t think I would ever overcome the feelings and depression I was dealing with.

I feel like this is not a representation of what I was feeling when I was ‘drowning’ in my sorrows, but I feel like this represents how I am feeling now. I understand why it didn’t work out with Andrew and I got closure from him so I am feeling a lot better about the situation. I feel at peace. I did drown figuratively but now I am content with myself and I feel like I let that piece of me that was so attached and heartbroken drown but I kept myself as a person afloat.

Adriana Maciel

simulating a celebrity overdose in a bathtub filled with dingy colored water
Emily Tomasello

Aside from the fact that I find over-glamorized celebrity overdoses interesting, I wouldn’t necessarily say that I have any sort of personal connection with drug-related topics. I have not met anybody or had anybody in my life who had a drug problem to the point where they overdosed, so I guess I’m pretty fortunate in that aspect. I honestly could not imagine how that must feel for people who have had to go through that with a loved one. However, this was definitely an interesting experience getting to step out of my comfort zone in order to get this story across. I think art is one of the best ways to tell controversial stories like this one and portray a certain message. Hopefully, I did that here.

Emily Tomasello

simulated "death by heartbreak" - a body on the ground surrounded by rose petals
Jamie Van

When I imagine my departure, I consider heartbreak a possibility because I don’t think anything else hurts more–or kills more–than a broken heart. On creating this scene, I thought about incorporating a sense of Gothic style and romance. I can easily say that I am a hopeless romantic so I thought that creating a scene with a big mess would be fun to do because love is messy. Sometimes, we push away the ones we love. We come to become afraid of being vulnerable with another person and for someone to see the deep and dark parts of our soul because we are afraid of loving someone too strongly and then becoming disappointed. In romance, falling in love is a thrilling ride but falling out of love is the most heartbreaking and blue. Love is not always joyful but the meaningful moments and lessons we learn from being moved are something that I believe deserve a spotlight of their own.

When I thought of a tragic love scene, the first thing that popped into my mind was dead roses. With that in mind, I headed over to the nearest florist and asked for a dozen dead roses because why not? I’m sure the florist was surprised about my request but, in the end, I got the flowers that I wanted and then headed home to start working on the project. I ripped up a bunch of these roses and just scattered them all over the set. Just as love isn’t neat, I did not want a neat set. I also laid a fallen chair out on the floor because love has a way of knocking you down just as the chair had been knocked down. I paired the whole scene with a dark outfit to illustrate the dark demise of a broken heart when one may fall out of love, which is how I could imagine my departure and tragic end.

Jamie Van

simulated death scene with a body in a bathtub of red water
Lizzy Stiller

I have never had so much fun doing an art project. Personally, I’ve always been interested in dark subjects such as death and what not. So when I found out about this project, I knew I had to go big. I had a pint of extra fake blood from last Halloween and decided the bathtub was going to be the best clean up but also a very visual way of dying. I filled the bathtub and then mixed the fake blood in to become very deep red. Then I splattered it all over the bathroom walls which ended up being a perfect contrast on the white tiles. I entered the bathtub and poured more blood on my arms and chest to be even more gory. On the floor next to me I actually placed a little note to allude to a possible suicide.

Personally in my head I see my death as I was murdered but the culprit set it up as a suicide. Doing this project really made me open my mind to the possible ideas and appreciate the color contrast. I loved the look on the blood splatter on my tiles. The colors of the innocent white and the death red really spoke to me. It made me understand and appreciate just how powerful and meaningful colors are. I am actually quite terrified of death but this project made me think of an artistic interpretation of it. It is not something to be afraid of, but something to eventually embrace.

Lizzy Stiller

Laura Lockett lying in the driveway with radiant chalk lines emerging from all around her and her cat sort of inquiring "what's going on?"
Laura Lockett

With my mother’s help, I laid down in the driveway with the sun shining down hard on me and and traced an outline of my body so we could make more lines around me. Although I ended up a chalky mess, we had tons of fun bonding over this experience. Playing dead is a lot harder than you think when the sun is so bright and blinding. Even the cat wanted to make sure I was still alive and breathing as you can see in the picture above. The chalk outline is still on the driveway, so there might be a few more pictures uploaded as the rest of my family comes home and becomes a chalky mess.

Laura Lockett

black-and-white photo of Melissa Rios lying in bed and surrounded by Christmas lights
Melissa Rios

A lot of things ran through my head when my brother was taking the pictures. My throughts were mainly focused on what it would be like to pass away in your sleep. It has its pros and its cons. For starters, a person would have a peaceful death. One wouldn’t have to suffer through their death, which a lot of people now-a-days experience. A con to this experience would be that you wouldn’t get to say goodbye to your loved ones.

Melissa Rios

lying on train tracks
Esmeray Lopez

This project really hit me inside. It made me think about appreciating ourselves more. It’s hard to look at a picture of yourself in a position like this where it could bring so much pain to the people you love.

Esmeray Lopez

Art Talk OTW

  1. 3 Million Years of Art History
  2. Joseph DeLappe
  3. Mahsa Soroudi
  4. The Mind in the Cave

Nice discussion on Joseph DeLappe last week everyone. I want to get back to our “Art History Timeline,” and we will do that next week with The Mind in the Cave, about Cave Art from 10 to 40-thousand years ago. But this week I’d like to talk about one more living artist first. It’s only about 540 miles from us at CSULB to Joseph DeLappe at UNR. This week’s artist is both closer and further. Today she lives and works just down the road from us in Newport Beach, CA. But she was born and raised 7,500 miles from here in Tehran, Iran. This week’s Art Talk: Mahsa Soroudi:

Website:
Mahsa Soroudi.com

Nature’s Cadence:
mahsasoroudi.com/plant-show

7,500 Miles:
7500miles.org

120 responses to “Wk 3: Meeting the Artists!”

  1. duhmarkymark Avatar

    Marcelo Ceballos Jr.

    Hearing Mahsa’s story it is really inspirational to see someone come out of a dark place. She really explains how focusing on something or a goal helped her get out of her emotional rut and get back out there and express her art. Although she wasn’t necessarily running for her life she knew that she wanted to leave and get out in the world. I felt connected to her because, although I am not in danger or have to move I want to explore other places and cultures. I also felt connected to her because I also take care of plants, trying to get them to take root and become self-sustaining. I think that she had the same thoughts I did when spending time with plants that they are a kind of metaphor for life because it goes on and even if things seem bleak, they find a way to keep living. I also find her work with the 7500 miles project really important in changing the mass perception of art in Iran. Personally, I had no idea that Iran had such a large art culture. I am glad that I now know about this movement and hope to see it grow over time so that others can celebrate and experience such distinct culture and art.

    Like

    1. yulitorres21 Avatar
      yulitorres21

      Yuliana Torres

      Hey Marcelo,
      I can agree with Sorodui and you, as succulents do tend to resemble a formation of art. Art is an ongoing genre and is constantly adapting everywhere. I am deeply connected with my plants, as o enjoy to see the growth and beauty it tends to blossom. Her 7500 miles project speaks much louder than words can. It demonstrates the importance in of art going on in Iran. I am also happy to hear the large artistic culture Iran maintains.

      Like

  2. Ana Maya Avatar

    I found this interview with Mahsa Soroudi’s to be very uplifting. She took inspiration from her plants to help her move forward. Succulents are able to adapt to new environments and are able to survive without water for a longer period of time than most other plants. Like showed in the beginning of the video, the leaves that had fallen off also served as a “host” for the roots of another succulent that would sprout later on. Mahsa, being an immigrant from Iran, had a hard time adapting to a new environment. Even though she enjoyed living in Iran, she wanted to explore other places, rather than just growing in her home country. I can’t relate to her even though, I am an immigrant too. I left my home country at a much younger age, so I was able to adapt quickly to a new country. She, however, was already an adult and she went through a different perspective. She also states in her website that these plants taught her how to remain “beautiful and strong while struggling to grow roots and adapt to a new home.”
    I also have succulents hanging out in my bedroom balcony and I water them once in a while, but I don’t pay much attention to them. They’re quite amazing little plants since I have had them since December 2014. However, with having seen Mahsa Soroudi’s Nature Cadence’s project, I will definitely take better care of them.

    Like

  3. Vincent Santos Avatar

    Mahsa Soroudi has a very unique perspective on art. Her ongoing project called 7500 Miles brings a lot of women experience and universal problems to the light. On the http://www.7500miles.org/ webpage it say how they are not using the “exotic card” and I like that because there are artist that will use a sexual appeal to get their point across or even just get the audience attention. This may be a controversial topic but Kanye West is consider an artist and for a new song Fade the music video is a woman dancing in the gym half naked. I personally dont understand how the video connect to the lyrics. I feel like he is using the “exotic card”, like Mahsa would say, to grab the viewers attention. Their may be some correlation but I have yet to find one. https://www.youtube.com/watch?v=IxGvm6btP1A Here is a link to the video for people that have not seen the video yet. There may be a few people that disagree and that’s okay with me because art is all about perspective and seeing things from a different view point. Going back to Mahsa i like how shes avoid the “exotic card” and using art as a way to show the world from a woman point of view and what they experience through out their lives.

    Like

  4. jackiesanchezart110 Avatar

    Jacqueline Sanchez

    I found Mahsa Soroudi’s story to be very positive, powerful, and inspiring. With all the negative misconceptions and connotations attached to the middle east, it is very uplifting to hear that her experiences, memories, and her relationship with her hometown are positive ones. This particular part of the interview really stood out to me because I can relate with her experience. Being of Mexican descent, I understand first hand how it feels to see the rest of the world stereotype your culture. The stories on the news do not represent my experience with my culture; my memories and experiences are all very happy. For this reason, I find it very powerful and inspirational for her to use her art to show the world the reality of her culture, to open peoples eyes and allow them to see beyond the misconceptions and stereotypes.

    Like

  5. lindalinhblog Avatar

    Linda-Linh Nguyen
    I thought Mahsa Soroudi was very inspiring and thought that her succulents were amazing and gorgeous. Her story of being able to find strength in watching her succulents fight for survival really touched me since I personally have been facing a hard time currently and by looking at her succulents and hearing her story, it really helped me come to terms and gave me the strength to follow the succulent’s and her lead. While her work was simple, it said a million things as it held her experiences in life within them. I always have had an admiration for succulents for their cuteness and resilience but they never held meaning for me till today. I have always thought about transforming my backyard into a succulent garden to make it more drought friendly but never really had the motivation to actually to it until now. Like most people see the rose as the symbol of love, I now see the succulent as a symbol of strength and perseverance.

    Like

  6. miisstinatrn Avatar

    Tina Tran

    Agreeing with a lot of people, Mahsa Soroudi’s “Nature Cadence” is pretty inspiring in which she sees so much of herself in the succulents she takes care of. Her succulents were beautiful and the conceptual ideas in her project reflect her way of work through forms of art. Being from another country, Mahsa’s project symbolizes the feeling of being homesick and when the succulent does not grow and the roots not being well-grounded can be considered as a metaphor for being an immigrant in a new country and having no strong foundation and not developing as an individual. As Mahsa mentioned, the succulent in new soil did not grow for a while and suddenly it made a strong development and it was able to develop its foundation through roots and starting to feel more at home in a new place. Mahsa’s story really resonated with me because I was brought over to the US as a young child, not remembering much of my childhood before the event. However, I did remember spending a lot of time alone in my room being so out of place where I was and slowly developing relationships around me to become who I am today and I am grateful to the experiences I had and everything I came to be.

    Like

  7. brianamgblog Avatar

    Briana Garcia

    I must be honest and say that before watching this video, I hadn’t met or learned anything about someone from Iran. Whenever I would hear that country being named I automatically think negative things because it is based on what I have been exposed to. However, hearing Mahsa Soroudi’s view on her country, from someone who experienced it first hand, I can see that it may not be exactly how we are made to believe. She has made me realize that being exposed to something unfamiliar is not always a bad thing. What we hear and what we see, may not always be completely accurate. We should experience it on our own and then form an opinion. It is a good thing to be exposed to different cultures, beliefs and people. I think it was interesting how something so natural can become art. This says to me that in this case, it was more about a story, experiences, and emotions. The message she sends is powerful and can be taken in many different ways. It’s inspiring.

    Like

  8. yulitorres21 Avatar
    yulitorres21

    Yuliana Torres

    I can definitely sayMarsha Soroudi is my type of artist. I find so inspiring how she uses a natural element as her art. I appreciate and understand her need to comfort herself in a place other than her home in Iran, and found succulent plants to do the trick for her homesickness. Planting new roots in an unfamiliar environment is the best way to settle in. Soroudi explains her relationship with plants, embedded her to remain true to herself and grow stronger, just like there plants have resembled this. Professor Glenn also stated, as both the plants and Soroudi were both in the same phase at the sametime. As Sorodui did not find her calling in the United States, her plants grew dry and dull. After seeing her plants entering the line of death, she began to care for them and fortunately found her passion and viewed it as a formation of growing artwork. In the first show of Soroudi’s succulents, she shows us her single leaf succulents planted individually within a plastic egg carton. What I find amazing is, some leaf succulents are blooming even without having planted any roots. I love succlents, probably just as much as Sorodui, I have my entire backyard planted as long with a few in a my room. I find them to be relaxing and appealing to the eye.

    Like

  9. Abigail Manuel Avatar
    Abigail Manuel

    Mahsa Soroudi’s perspective on succulents and the power of the beauty of the natural world is something that hasn’t ever really crossed my mind. I’ve always loved the look of succulents and plants, but only recently started putting an effort into taking care of these plants. I love the concept of comparing plants to life experiences that shape us to be the people that we are today. The resilience that the plant inspires is definitely something that deserves to be spoken about as widely as possible.

    Like

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